He brought his own reeds and mouthpiece to play on Mulligan’s instrument. Saxophonist Scott Robinson was scheduled to perform a piece on Mulligan’s baritone sax. Some time after Mulligan’s death, there was to be a celebration of Mulligan’s life and career at the Library of Congress. He only saw the music on the evening of the concert. A few days earlier, not having the music beforehand, Mehta had whistled Mulligan’s part over the phone. Mulligan was invited to play the soprano saxophone part on Bolero at Lincoln Center’s Avery Fisher Hall. Mulligan had met New York Philharmonic conductor Zubin Mehta on an airplane flight. Intriguing ExamplesĪllow me two intriguing examples from this book. His musical associations were widespread from Dixieland to Bop to Classical. Mulligan was happy and comfortable with most styles of jazz, as well as other music. He also played Judy Holliday’s blind date in the movie version of Bells Are Ringing.

Mulligan played the part of a priest in the movie The Subterraneans, based on the Jack Kerouac novel. For example, he had a relationship with theater and movie actress Judy Holliday. For those interested, the book will reveal aspects of Mulligan’s personality which are intriguing. The purpose of a book review is not to reveal the entire contents of the book but merely to provide an overview and enough insight for the reader to determine whether or not to proceed further. Mulligan’s career is succinctly laid out by the author and supplemented by comments from his collaborators.

Jerry mulligan sax